Editing Monet's Garden

Naomi Baltuck

5/31/20252 min read

…The line was endless, but once past the ticket booth, we joined the swarm of tourists overrunning both house and garden. We heard a dozen languages spoken by people from all over world, who had come to see the inspiration for Monet’s most famous paintings.

It was eye candy, a stunning profusion of color! But instead of the rare and exotic flora I expected, the flowers were all, well, your regular garden variety. Irises, roses, pansies, forget-me-nots…nothing I don’t grow in my own garden, but artfully arranged by height, texture, and color. And, after all, they were in Monet’s Garden.

I wanted to capture at least the illusion of solitude and serenity of the garden, as I thought it must have been in Monet’s day. I waited for lulls in foot traffic to get my shots. While waiting, I watched all that humanity shuffling by, caught glimpses of peoples’ lives as moving as anything in those historic gardens. Mothers and children, old couples holding hands, a little boy with eyes only for the baby chicks, four generations of women, sharing a park bench.

While we writers strive to capture a mood or feeling or effect, we can also observe the stories happening all around us. The first is like a very pretty still life, a posed portrait of Mother Nature.

There is beauty in it all.

The other is a very real, sometimes messy picture of the world, brimming with humanity, and all the joy and heartbreak that life and love have to offer.

While in France, my sister and I visited Giverny, to see Claude Monet's Garden....